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Every Tuesday 50% off all beers from 7pm-close
Happy Hour 4-7pm!
Clint Weaner entertains on the guitar at 8pm!

50% Off All Beers w/ Clint Weaner

Every Monday is Happy Hour all night!
50% off all liqours, beers and wines!
25% off entire food menu!
(kitchen closes at 9pm)

Happy Hour All Night!

Every Monday is Happy Hour all night!
50% off all liqours, beers and wines!
25% off entire food menu!
(kitchen closes at 9pm)

Happy Hour All Night!

Every Monday is Happy Hour all night!
50% off all liqours, beers and wines!
25% off entire food menu!
(kitchen closes at 9pm)

Happy Hour All Night!

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Euchre Night, 50% Off All Wines w/ Jimmy Olson on the Piano

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Advertenties

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Come see Joe Nichols at Ballpark Village (Must be 21+)

Get ready to get your country on with 92.3 WIL HOT COUNTRY NIGHTS PRESENTED BY FORD at Ballpark Village.

This show has been rescheduled from the original Friday, January 13th date to Saturday, April 1st at 6PM on the OUTDOOR Busch II Infield stage.

For questions please contact info@stlballparkvillage.com or 314-345-9481

Joe Nichols at Ballpark Village

BUSH at Ballpark Village

BUSH at Ballpark Village

Rally on Clark III, is the third premiere outdoor music festival to takeover the Busch II infield at Ballpark Village. Top local DJs will kick-start the day, plus headliner DJ VICE! Each $30 ticket will include five (5) drink/food vouchers (good for cocktails, bottled beer or a food item), drink specials and access to the Busch II Infield and Clark St. area.

Rally On Clark III at Ballpark Village

Family Fun Day at Ballpark Village

Family Fun Day at Ballpark Village

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Journey Fan Club Presale

Journey Fan Club Presale

Journey Fan Club Presale

Journey Fan Club Presale

Journey Fan Club Presale

Journey Fan Club Presale

Tournament Madness Viewing Party

Tournament Madness Viewing Party

Prince Royce – FIVE TOUR

Prince Royce – FIVE TOUR

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Explore all the parties and events from Fermental. Follow Fermental and get notified everything he/she creates a new events/party.

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Join us as we continue to celebrate Cape Fear Craft Beer Week with an afternoon dedicated to the art of sour and wild ales featuring a full draft list, bottles, cans and more. Accompanied by live music, food truck and more. Celebrating the beauty of yeast or the benevolence of bacteria.

Sunday March 26th at 2pm. From classic lambic ales to modern day interpretations and big barrel-aged funkiness from all over the world.

Sour beers have been around since the creation of beer. In fact, before the nineteenth century, pretty much all beer was sour in varying degrees. Why? Before refrigeration technology and advancements in the science of fermentation, naturally occurring bacteria and yeast crept into beer, including Lactobacillus, Pediococcus, and Brettanomyces yeasts. These organisms create acidity in the beer, giving it its sour flavor and complex taste. Wood and barrel aging allowed the wild yeast and bacteria into the beer while the beer fermented, aged and was stored.

Modern brewers have learned how to control these yeast strains and bacteria in order to craft and create some of the world’s finest, most sought after beers.

Join the folks at Fermental as we showcase a massive collection of sour and wild ales from Europe and the US. Drink and share a bit of history. Enjoy a pint or fill a growler to go.

FREE EVENT. FREE TASTINGS. ALL AGES.

Food Truck: Vittles 2pm
Live Music: Soul-R-Fusion 2pm

Live Music:

Casual. Comfortable. Fermental.

Call 910-821-0362 for details.

For more information on these and other events visit http://www.fermental.net

#capefearcraft

Sour Sunday: Fermental CFCBW

As part of Cape Fear Craft Beer Week, Fermental proudly welcomes the crew from Cigar City Brewing for an evening of tastings, giveaways, cask ale, multiple drafts, live music, food trucks, and more: Saturday March 25th at 6pm

With multiple drafts and package options, this evening is complete with live music and fare from a local food truck.

Florida favorites Jai Lai, Maduro, Florida Cracker, and Lager will be making their debut in North Carolina thanks to a welcoming partnership with Oskar Blues in Brevard.

One of the most celebrated breweries on the East Coast, to celebrate Cigar City, Fermental welcomes crew members for an evening dedicated to their fine-tuned craft.

Featuring a variety of beers on draught throughout the evening, cans will also be available for purchase showcased alongside live music and fresh food options from the

BEER LIST
Jai Alai IPA
Florida Cracker
Tampa Lager
Madura Brown Ale

Taste. Sample. Enjoy a pint. Fill a growler. Take a few home for the weekend.

Casual, comfortable, Fermental.

Call 910-821-0362 for details.

Food Truck: T’Geaux Boys 6pm
Live Music: Raphael Name’ 8pm

An Evening With Cigar City Brewing is part of a continual series of brewery features at Fermental presenting an opportunity to meet brewery staff, ask questions, sample draft selections, enjoy brewery giveaways, food trucks, live music, and more.

For more information on these and other events visit http://www.fermental.net

An Evening With Cigar City: Fermental

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Virginia Ground (Bristol, TN)

Clint Roberts (Boone, NC)

George Jarrett (Boone, NC)

Virginia Ground w/ Clint Roberts + George Jarrett

Fences is something new for our band Bombadil. It is more than just an album; it is a new path, a reset after several challenging years. The path began in January 2015, when a longtime member of Bombadil unexpectedly left our band. Daniel Michalak and I sat down to discuss our next steps. It was a time for soul searching. A duo of a bassist and drummer did not feel like a band. Moving forward seemed daunting, but we both felt like there was more to say with the band. We wanted to make music. So we began simply by making some. Writing and recording the Still Bombadil EP was fun. A fast and dirty exploration of a creative idea, no room for fiddling, deadline looming. Our last album, Hold On, had not been like that. It had been an ordeal.

Daniel suggested composing songs using guitar instrumentals our old bandmate Bryan Rahija had written, and of limiting ourselves to a small palette for the next album: guitar, piano, upright bass, harmony vocals. The goal was to make a folk record, something easy to understand, something beautiful. He shared a demo for “Binoculars” and I loved it. It was simple, elegant. We added it to the live set almost immediately. Daniel continued writing, focusing on guitar, harmony, and emotion. The songs inconveniently had no drums (what was I going to play?!). He instead wrote parts for me to sing and we began collaborating on composing tunes with a similar approach. “Fence” was written together at a friends house in Crozet, Virginia to kill time on tour. An old song of mine, “Long Life,” was revived and extended. Percussion parts started to show up. Daniel’s commitment to songwriting continued to inspire, a new demo was in my inbox almost weekly. Daniel enlisted the help of an old friend and data scientist, Nasir Bhanpuri, to analyze the success of our old catalog of songs and make suggestions to guide our writing and arranging. It was an experiment that pushed us to take the songs further than we might have in the past. In part, we were throwing ideas at the wall to see what would stick, but we were also searching for something new, actively trying to push ourselves to new creative heights.

We kept the Bombadil ship moving by accepting all shows, searching for more opportunities to play. We found wonderful people to tour in our band. There were good shows. There were bad ones, too. I learned to be a lead singer on the fly and on stage (with the help of an encouraging septuagenarian opera singer). And we kept writing, practicing, and recording. In July 2015, Stacy Harden sent me an email inquiring if we needed a musician. In his audition, he played through songs like he had been in the band all along. He even knew the harmonies. He had grown up a fan of the band, singing along in the car. In October, Stacy and I drove our equipment across the country for a West Coast tour in a four-day sprint and listened to every song the Beatles recorded. His easy-going spirit was infectious, his presence made the band more fun and more inspiring. We had found our man. “What’s So Great About You” was the first collaboration between this new trio, and we started to discover what a new version of our band sounded like.

In January 2016, the three of us left North Carolina for Littleton, Massachusetts to spend several weeks at a friend’s farmhouse. We recorded all day long, cooked together, spent our breaks around a roaring wood stove carefully tended to by Daniel. The resulting demo recordings gave us a roadmap to follow. Our label, Ramseur Records, suggested a producer, a departure after self-recording our last three records. John Vanderslice was given the demos and was enthusiastic about the material. He insisted that we listen closely to Paul Simon’s first record. He told us the songs needed a sense of danger, that our demos felt like we were being too careful, and that the songs needed more percussion. John is opinionated, talented, and inspirational. And most of all, making the record with him over 12 days in September 2016 at Tiny Telephone in San Francisco was easy. And fun. And fast. We used only analog equipment, recording to tape through high-end vintage equipment. Bryan came to play his guitar parts (which by this point Stacy had learned for live performances of the material). The recordings were all first takes, new ideas were quickly embraced, mistakes were left alone as intention, very little artificial reverb was used but John’s concrete echo chamber was used extensively. We hoped to catch lightning in a bottle and I think that we did.

To me, Fences represents the journey of the last two years. It is the discovery of a group voice, the willingness to explore collaboration between old friends, and an openness to let new voices into the fold. It is something I am proud to have been a part of and am excited to share with the world. To me, it is an example of the power and positivity of collaboration, of a group of human beings working diligently on a shared vision. If nothing else, I can say that we tried as hard as we possibly could. I can’t wait to do it again.

Bombadil

Spirit Ghost (MA):
spiritghost.bandcamp.com

Calico Blue (MA):
Calicoblue.bandcamp.com

Ghost Dogs:
ghost-dogs.bandcamp.com

Ghost Dogs w/ Spirit Ghost + Calico Blue

CROWN LARKS (Chicago)

“Crown Larks threw psych-rock, noise music, and free jazz into one pot and stirred until the whole thing combusted.” – Stereogum

“…a coed unit of electro-jazz shapeshifters with a penchant for blending the schizophrenic and radical musical movements its hometown is notorious for producing.” – The Village Voice

https://crownlarks.bandcamp.com/
http://www.philthymag.com/crown-larks-i-want-us-to-be-the-kind-of-band-that-feels-like-its-channeling-the-present-not-just-reviving-old-favorites/

LAVIER

https://lavier.bandcamp.com/
http://www.youredm.com/2017/02/28/lavier-prince-of-trash-palace-ep-singles/

MODERN APOLOGIES

https://soundcloud.com/julien-passajou

Crown Larks ♛ Lavier ♛ Modern Apologies

$5

Saw Black (Richmond, VA // Crystal Pistol Records)

Azalea Days marks the debut of Saw Black, whose songs from the heart tell the story of a once boundless love and the realization of that love’s decay. Tracked in his basement studio by the James River on a mostly-working 8-track tape machine, the Richmond, Virginia-based self-taught multi-instrumentalist and songwriter recorded the songs over the course of a year, coming to life as the relationship they chronicled came to an end.

An art handler by trade, Saw Black is also producer and co-owner of Crystal Pistol Records who lives with his dog Birdie in the South Side of Richmond. He began playing music when his grandfather, a jazz piano player, gave him an electric guitar at the age of 11. Now 28 and having taken on every role within the recording process, Saw Black releases his first collection of self-produced songs in Azalea Days.

There are nods to Neil Young and Sparkle Horse, a tongue-and-cheek love song to weed from a state where it’s criminalized, and of course the omens of a relationship that’s fizzling out. Self-reflective as all get-out, Saw Black sings in “Kiss” about taking out his problems on those closest to him, and even prophesizes about “screaming on the pavement” nights before a traumatizing bicycle accident on a bridge.

Spotify: http://smarturl.it/AzaleaDaysSTR
iTunes: http://smarturl.it/AzaleaDaysDL

Alexa Rose (Boone, NC)

Virginia-born singer-songwriter Alexa Rose spent her formative years writing songs on a hand-me-down guitar in a little mountain town, and scaled down the Blue Ridge to settle in Western North Carolina in 2013. At 19, she released her debut album, “North,” which spoke to her folk influences and featured simple renditions of handmade songs on piano and guitar. The album’s premier track, “The Bear,” was featured on WVTF Public Radio’s “Back to the Blue Ridge” program, as well as other regional radio stations.

Rose has been writing songs for nearly a decade now, but only recently became vagabond, touring her Appalachian folk-infused Americana since she graduated from Appalachian State University in 2015. She has been called a “rising voice of the region,” sharing the stage with artists like Joy Ike and Jessica Lea Mayfield, and winning Asheville’s acclaimed Brown Bag Songwriting Contest in 2016. “She has been touring up and down the region heavily, gathering fans along the way.” – The Mountain Times

Rose’s sophomore album, due for release on New Year’s Day, was recorded at famed Echo Mountain, a studio that has fostered the work of artists like T Bone Burnett, The Avett Brothers, and Steep Canyon Rangers. “Low and Lonesome” is, at heart, a folk songwriter’s album; the simple arrangements lend themselves to the frankness of Rose’s masterful phrasing, allowing the natural beauty of her warbling soprano to transport the listener to new places through familiar territory. Rose’s nonchalant delivery ebbs and flows in optimal sync with her band. The album features Pretty Little Goat Stringband members Tim Fisher on fiddle and JT Linville on bass. Other highlights throughout include backing vocals from fellow singer-songwriter, Clint Roberts, and sweet pedal steel courtesy of the Honeycutters’ Matt Smith. Though “folk” is most likely the term that will come to most listeners’ minds, Rose proves to be far from one-dimensional.

Saw Black w/ Alexa Rose + Clint Roberts

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Getting away with murder can be so much fun… and there’s no better proof than the knock-‘em-dead hit show that’s earned unanimous raves and won the 2014 Tony Award® for BEST MUSICAL—A Gentleman’s Guide to Love & Murder!
Coming direct from New York, where a most gentlemanly NPR critic said he’d “NEVER LAUGHED SO HARD AT A BROADWAY MUSICAL,” Gentleman’s Guide tells the uproarious story of Monty Navarro, a distant heir to a family fortune who sets out to jump the line of succession by – you guessed it – eliminating the eight pesky relatives (all played by one fearless man) who stand in his way. All the while, Monty has to juggle his mistress (she’s after more than just love), his fiancée (she’s his cousin but who’s keeping track?), and the constant threat of landing behind bars! Of course, it will all be worth it if he can slay his way to his inheritance… and be done in time for tea.

A Gentleman’s Guide to Love & Murder

Getting away with murder can be so much fun… and there’s no better proof than the knock-‘em-dead hit show that’s earned unanimous raves and won the 2014 Tony Award® for BEST MUSICAL—A Gentleman’s Guide to Love & Murder!
Coming direct from New York, where a most gentlemanly NPR critic said he’d “NEVER LAUGHED SO HARD AT A BROADWAY MUSICAL,” Gentleman’s Guide tells the uproarious story of Monty Navarro, a distant heir to a family fortune who sets out to jump the line of succession by – you guessed it – eliminating the eight pesky relatives (all played by one fearless man) who stand in his way. All the while, Monty has to juggle his mistress (she’s after more than just love), his fiancée (she’s his cousin but who’s keeping track?), and the constant threat of landing behind bars! Of course, it will all be worth it if he can slay his way to his inheritance… and be done in time for tea.

A Gentleman’s Guide to Love & Murder

Getting away with murder can be so much fun… and there’s no better proof than the knock-‘em-dead hit show that’s earned unanimous raves and won the 2014 Tony Award® for BEST MUSICAL—A Gentleman’s Guide to Love & Murder!
Coming direct from New York, where a most gentlemanly NPR critic said he’d “NEVER LAUGHED SO HARD AT A BROADWAY MUSICAL,” Gentleman’s Guide tells the uproarious story of Monty Navarro, a distant heir to a family fortune who sets out to jump the line of succession by – you guessed it – eliminating the eight pesky relatives (all played by one fearless man) who stand in his way. All the while, Monty has to juggle his mistress (she’s after more than just love), his fiancée (she’s his cousin but who’s keeping track?), and the constant threat of landing behind bars! Of course, it will all be worth it if he can slay his way to his inheritance… and be done in time for tea.

A Gentleman’s Guide to Love & Murder

Getting away with murder can be so much fun… and there’s no better proof than the knock-‘em-dead hit show that’s earned unanimous raves and won the 2014 Tony Award® for BEST MUSICAL—A Gentleman’s Guide to Love & Murder!
Coming direct from New York, where a most gentlemanly NPR critic said he’d “NEVER LAUGHED SO HARD AT A BROADWAY MUSICAL,” Gentleman’s Guide tells the uproarious story of Monty Navarro, a distant heir to a family fortune who sets out to jump the line of succession by – you guessed it – eliminating the eight pesky relatives (all played by one fearless man) who stand in his way. All the while, Monty has to juggle his mistress (she’s after more than just love), his fiancée (she’s his cousin but who’s keeping track?), and the constant threat of landing behind bars! Of course, it will all be worth it if he can slay his way to his inheritance… and be done in time for tea.

A Gentleman’s Guide to Love & Murder

Getting away with murder can be so much fun… and there’s no better proof than the knock-‘em-dead hit show that’s earned unanimous raves and won the 2014 Tony Award® for BEST MUSICAL—A Gentleman’s Guide to Love & Murder!
Coming direct from New York, where a most gentlemanly NPR critic said he’d “NEVER LAUGHED SO HARD AT A BROADWAY MUSICAL,” Gentleman’s Guide tells the uproarious story of Monty Navarro, a distant heir to a family fortune who sets out to jump the line of succession by – you guessed it – eliminating the eight pesky relatives (all played by one fearless man) who stand in his way. All the while, Monty has to juggle his mistress (she’s after more than just love), his fiancée (she’s his cousin but who’s keeping track?), and the constant threat of landing behind bars! Of course, it will all be worth it if he can slay his way to his inheritance… and be done in time for tea.

A Gentleman’s Guide to Love & Murder

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The Weeks & The Lonely Biscuits
Friday Mar 31, 2017
TICKETS: https://www.ticketfly.com/purchase/event/1428718
Doors: 8:00 PM
Show: 9:00 PM
21 and over

The Weeks at Zanzabar

Craig Bell at Zanzabar

Craig Bell at Zanzabar

Vectortone & Production Simple- Concerts & Events Presents:
Tobin Sprout
TICKETS: https://www.ticketfly.com/purchase/event/1437459
Doors: 8:00 PM / Show: 9:00 PM / 21 and over

TOBIN SPROUT:

Tobin Sprout, former guitarist / songwriter of indie-rock icons Guided By Voices, has a new album (his first in 7 years), The Universe And Me (Burger Records), out on January 27. The Universe and Me takes a deliberately primitive approach that focuses on feeling, as opposed to production. The result is a vague bridge between the ballads of psych-era Beatles, and the haunting vulnerability of Daniel Johnston’s Hi, How Are You?.

Sprout penned and sang GBV classics including 14 Cheerleader Coldfront, It’s Like Soul Man, Awful Bliss, Ester’s Day, To Remake The Young Flier and Islands (She Talks In Rainbows). Burger Records will also be reissuing Sprout’s out-of-print 1990s Matador solo albums, Carnival Boy and Moonflower Plastic. In 2017, Sprout will be performing throughout the US with his 4-piece band.

Tobin Sprout at Zanzabar

Vectortone / Production Simple- Concerts & Events Presents:
🔹 White Reaper Album Release Show
🎟 TICKETS: https://www.ticketfly.com/purchase/event/1441409
🔹 Saturday Apr 8, 2017
🔹 Doors: 7:00 PM // Show: 7:30 PM
🔹 ALL AGES

WHITE REAPER:

The World’s Best American Band.

The bold statement from Louisville’s White Reaper is not only the title of their new album, but also the band’s credo.

“Because we are the best,” says guitarist/vocalist Tony Esposito. “Just like Muhammad Ali was the greatest, you gotta say it out loud for people to believe it.”

And with that mentality the band hit the studio with close friend and producer Kevin Ratterman (My Morning Jacket, Young Widows) and made a good ol’ fashioned in-your-face rock ’n’ roll record.

“We didn’t make this record or start this band because we wanted to come across in a single, certain way,” says Esposito. “We just make records that we’d want to hear. We started doing this because it’s fun as hell, just as much now as it was when we were 14.”

Boasting textured melodies, layered guitars and more seasoned lyrics, The World’s Best American Band finds the quartet busting out of the basement sound established on their previous full length (2015’s White Reaper Does It Again) and setting their sights on the arena.

Garnished with glimpses of the golden age of rock and roll, TWBAB is loaded with guitars that scream and gigantic drums in lockstep rhythm, each song packing its own massive, but none the less unique, punch. Lead single “Judy French” struts like a runway model raised on Heavy Metal Parking Lot, while midway point “The Stack” pairs a classic rock shimmy with a flair for glam.

The Kentucky boys eagerly await hitting the road in 2017. Armed with a record that celebrates rock in all of its glory, they are poised to satisfy crowds whether they are packed shoulder-to-shoulder in the “standing room only” pit or kicking back in the cheap seats.

“Come to the show, have a drink, have fun,” laughs Esposito. “But be nice to everybody, cause you’re gonna get real close.”

White Reaper Album Release Show at Zanzabar

Ha Ha Tonka at Zanzabar

Ha Ha Tonka at Zanzabar

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